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The images on my blog today, were some of the first that I took with a Fuji camera back in late 2015. The reasons that I moved from Nikon to Fuji can be found elsewhere on this blog so I will not bore you by going into them again. These images and others that will follow could, I suppose, be considered test shots as I was in the process of deciding which camera marque I was going to continue with in my photography.
The colour image of the dahlia was taken with an X-E2 and the Fujinon 27mm pancake lens and I used the Fuji Chrome colour setting when I was processing the RAW file.
The black and white images were taken with the same camera and lens and were then processed in my standard monochrome workflow.
I have also enabled larger versions to be seen of these photographs by clicking on them.
I’m in the middle of a monthly project for my photography club at the moment and although I think I have one image which I believe would fulfill the criteria, I wanted to see if I could get any more. Any image submitted to the club for the monthly assignments has to be taken in that month and shown to be so in the Exif so although I had taken an image earlier in the year which would have been perfect I needed to go out to the site again to get another.
The location was in some fields not far from the town of Kenilworth, so fighting my way through the hordes of dog-walkers I went out there again. At the time I went in February there was only corn stubble across the field and the pattern of the planting really helped with the image. This time, only half the field had been harvested and I couldn’t quite get the angle that I required, but nevertheless I did get some images of which some are worth processing.
I went out with the Fujifilm X-E2 and the XF 18-55mm f/2.8-4 zoom lens. I was more interested in the 18mm side of the zoom for this shoot as I wanted to get a broad view of the field and the background. Once I got to the location I realised (duh) that I should have brought the X-T1 with its flip screen at the back as part of my plan was to shoot at a low level. However, I managed to get some shots using the X-E2 on the floor and the following image was one of them.
Mrs M and I have just come back from a week in the lovely town of Cefalu in Sicily which we enjoyed immensely. The sun, the food, and the wine were all excellent and although we did have a couple of thunderstorms they didn’t dent the enjoyment, they served to relieve the heat for an hour or so.
I took a camera of course, the X-E2, and two lenses, the XF18-55mm f/2.8-4.0 and the XF27mm F/2.8 pancake. I was there for my first holiday abroad in two years and it wasn’t going to be a photography trip. First and foremost it was going to be a relaxing holiday for Mrs M and I.
Of course I took photographs. But I have to say I didn’t feel the urge to get out there and take lots. I always (or almost always – more later) had the brilliant Fuji with me, but inspiration was avoiding me I think by hiding up narrow Sicilian alleyways for most of the holiday. Perhaps I had “chilled-out” too much after I arrived. I don’t know. I have got some images and a few of them may be worth working up, we’ll have to wait and see.
A catastrophe was also narrowly avoided whilst I was carrying the X-E2 in my Domke F-5XB bag in Cefalu. I failed to notice the strap of the camera was hanging out and unnoticed by me, it managed to hook itself over the top of an iron bollard as I walked passed and as I turned the X-E2 and attached XF18-55mm lens were pulled straight out of the bag. A heart-stopping clang and a crash occurred and I turned slowly to view the damage. The X-E2 was on the cobbles with the strap still over the bollard. After a rather shaky examination it appeared that the initial impact of the body against the ironwork had only chipped a bit of paint on a corner of the body. It also appeared that the lens was saved by the lens hood on which the camera was resting on the floor. The hood was broken, the lens wasn’t touched. The camera also worked perfectly. So there’s a cautionary tale for you – always use a lens hood. But flipping heck these Fuji cameras can take a lot of punishment (and clumsiness).
The bollard was bent over by its collision with the X-E2. (Joke)
It also says a lot about my “photo block” that Mrs M and I booked a trip into the Madonie mountains for an evening meal in a village whilst first going high into the mountains to the little town of San Mauro Castelverde and that I didn’t take the Fuji. I know, I know, I should have my photographer’s membership revoked and my cameras confiscated. Castelverde turned out to be a glorious little medieval town with a population of 2000, alleys, old houses, steps, signs and much more. I had to commandeer Mrs M’s fabulous little Nikon P300 to take photos. We didn’t have long there, but I could have spent hours wandering around. I was kicking myself all evening that I didn’t have the X-E2.
It wasn’t until the very last day of our stay, when as I lay on the sunbed thinking about a club project I had yet to fulfil that I peered through the heat haze and suddenly found some inspiration in the architecture of the hotel. Out came the Fuji, and I was away. Perhaps realising it was the end of my holiday photographic inspiration also decided to get back to work.
Here’s a couple of images from the trip, the first the ubiquitous holiday sunset shot from the harbour in Cefalu, the second a photograph taken on Mount Etna.
For once the sun is shining and its nice and warm. Time to catch those rays and get rid of the ubiquitous British pallor. So, it’s the sunbed out in the garden. Hold on, I’ve forgot the cold drink. Back inside and then cold coke poured, its back into the garden.
The problem is Lily the cat has decided in my short absence that the sunbed looks nice and comfortable and she is going to make the most of it. Annoyed I approach her and and as usual she she takes no notice of my imposing presence, in fact she doesn’t even deign to open her eyes, So I go back inside to grab a camera. I’ll need proof for Mrs M of the sheer audacity of the undisputed boss of the family.
Camera in hand, I once again quietly approach Lily and once again she doesn’t open her eyes – but her claws extend. Of course she knows I’m there and she’s sending me a quiet yet firm message.
“Back off mate, this bed’s mine”.
I retreat to the garden chairs, once again strangely content in knowing my place in the Marshall household pecking order.
Taken with my Fujifilm X-E2 and 35, F2.0 lens.