I love the detail in this first image that I photographed in a church graveyard. But I didn’t see the humour in the notice until I started writing this blog post. Duh! I know I can be slow sometimes. I’ll need to go back and try and catch an image of the sign with the … Continue reading Field and Fence
view – Issues I to VI
view is a free monthly digital zine that is published at the end of every month here on A Sensored-View and is also available via my website, clivemarshall.net. In it, I chose and show ten or so photographs from all the photographs that I have taken throughout the month. Not all of the photographs will … Continue reading view – Issues I to VI
Monochrome Mutterings
After my last post on black and white photography, I’ve been looking at two related articles that appeared on craftandvison.com. The first by Guy Tal looks at the ability that some photographers have in being able to see in black and white when looking for and planning their shots. Tal says that in black and … Continue reading Monochrome Mutterings
View – A new Photozine
Inspired by the photographer, jazz guitarist, web designer and general all-round cool dude, Ted Viera, I decided I was going to make a photo zine. What is a zine? It is usually a small circulation, self-published magazine showing original artwork , prose or in my case black and white photographs. Taking my lead from Ted, I … Continue reading View – A new Photozine
Why black and white?
“Color is descriptive. Black and white is interpretive.” – Elliott Erwitt As is obvious if you look through my blog, most of my photographs are monochrome. I'm often asked why this is so. The quote above by Irwin is exactly why I process the vast majority of my images as black and white. A person … Continue reading Why black and white?
The value of critique
When we post our images online for people to look at, for example on Flickr, do we take this action knowing that at worse we will get no comment and at best we will get a ‘fave’ and the ubiquitous “love this”, comment? This and other forms of photographic display on the internet do … Continue reading The value of critique
Bricks and iron
These three images were, like the last post, all taken at the Black Country Living Museum near Dudley in the West Midlands. The first is a found still life of a watering can and two water butts. I did not arrange these and came upon them behind one of the turn of the century cottages … Continue reading Bricks and iron
Black Country history
Museums can be great places to take photographs. You have the architecture of the buildings themselves, some of them are marvels of modern architecture. Then there are the people who visit the museums looking and absorbed in the exhibitions and finally but not least, you also have the exhibits themselves. The three photographs in today’s blog … Continue reading Black Country history
My choice of Fuji x-plained
I have been doing photography for about forty years now. Over these years I have been an Olympus OM user (five cameras at one point), for a very brief period a Canon user, a Nikon enthusiast and now a confirmed Fujifilm fan. I bought the Fuji X-E2 whilst I still had my Nikons. I had … Continue reading My choice of Fuji x-plained
Go forth and multiply
Following on from last week’s post where I showed three of my ICM (intentional camera movement) images, I thought this week I would post some multiple exposures created in camera. These are not several images put together in Photoshop etc. but where you have instructed your camera itself to overlay two or more images. Done … Continue reading Go forth and multiply
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