Field and Frost

I have three colour photographs for you this week all based around a winter theme.


The first is a leaf that I found in the garden after a frost. I loved the way that the frozen moisture coats the edges of the leaf. Tiny frozen droplets of moisture can also be seen on a grass stem on the left of the frame. The photograph was taken with a 35mm APS-C lens so it shows what can be done with the ubiquitous standard lens.

Fujifilm X-E2, Fujinon XF 35mm F/2 R WR


The second image of trees on a skyline was taken in the morning on a winter’s day. But I felt that I would like to change the feel  and so using the temperature sliders in Lightroom, I converted it into a sunset photograph. I wanted the sky to feel like those heavy skies you can get in the UK on some winter days. The winter sun as sets can bathe everything with an incredible light. The temperature slider was increased to +48 making the scene more orange. Various other little tweaks were made both in Lightroom and Photoshop. It wasn’t a difficult task to convert this ordinary looking field scene into something different.

Nikon D800, Nikkor 50mm F1.8 G


The last photograph shows a lone tree in a field with furrow lines running towards it. The sky was very heavy and brooding at the time and I wanted to show it looming over the scene. I used Lightroom to do the initial processing and set parameters and then Photoshop to arrive at the final image. I used multiply and screen layers with masks then Nik Sharpener Pro 3 to sharpen.

Nikon D800, Nikkor 50mm F1.8 G




Black Country history

Museums can be great places to take photographs. You have the architecture of the buildings themselves, some of them are marvels of modern architecture. Then there are the people who visit the museums looking and absorbed in the exhibitions and finally but not least, you also have the exhibits themselves. The three photographs in today’s blog were all taken at the Black Country Living Museum in Dudley in the West Midlands of the UK. It’s a museum where the buildings, exhibits and people all form part of the experience. It’s a great place to get atmospheric photographs of old buildings and industry from the start of the twentieth century. The museum assistants also add to the ambience by wearing period costume.

The first photograph was taken at one of the industrial forges that lay by the side of the canal. I liked the way that the chain is running between the stones like a stream and the juxtaposition between the man-made iron links and the natural texture of the stones.


Nikon D800, Nikkor 50mm, F/1.8G



The second photograph was taken in one of the alleyways that lie between some of the buildings at the museum. I focussed on the rear of the alley where the daylight was filtering in and let the foreground fade darker. The effect of the convergence of the walls either side of the path and the light at the top of the picture is to pull the viewer through the frame.

Nikon D800, Nikkor 50mm, F/1.8G



Photograph three was taken in one of the many recovered and rebuilt houses in the museum that has the décor and furniture of the era. I love taking shots using the light from a window to give atmosphere and to give only a hint of what is in the room. In this shot I particularly like the clothing half-hanging out of the drawer and the placement of the bag on the dresser as if the room’s occupant will be back at any moment to close the drawer and pick up her bag.

Nikon D800, Nikkor 50mm, F/1.8G